Getting Better at Drawing People
People often ask me how to get better at drawing people. For me the best way to get better at drawing people in a more natural way, understanding how to show movement and body language, is people watching.
People often ask me how to get better at drawing people. The way to get better at drawing anything really is to draw from life and to practice. The best way to understand anatomy and facial structure is to go to a life drawing lesson, and I believe their are online life drawing classes. For me the best way to get better at drawing people in a more natural way, understanding how to show movement and body language, is people watching. Obviously at the moment location drawing trips can be tricky, so these are the two ways I’ve been drawing people in lockdown.
Number one, look out of your window. I live on busy road, people walk past my window all the time walking their dogs, going to the park, carrying their shopping. I try to take a mental picture of their outfit and posture and do a very quick sketch as they walk past.
Another great tool for drawing people going about their everyday lives is Google Maps! I’ve seen a lot of artists use Google Maps during lockdown for painting buildings and landscapes, but it’s also great for people. You can see enough of people walking down the street to get a sense of their character, how they dress, how they walk, but you don’t get caught up in tiny details as you can’t really see anyone’s face. I love visiting different areas I know on Google Maps and seeing how differently people behave in different spaced, people walking in a relaxed way by the seaside or people powerwalking or slumped over in the city. I’ve noticed how often couples and friends dress alike, and how they usually walk perfectly in step with each other.
The top row of the sketches were all created from google images, and the bottom row of people spotted from my window. I find these pages full of little people really useful and often adapt them for projects when I need someone walking or standing in a particular way.
Fear of the Blank Page
I don’t personally like the phrase ‘creative block’, but fear of the blank page is definitely real! As an artist and an art teacher I have learnt there are so many things that can hold people back from be creative. Having no ideas, having too many ideas, perfectionism and worrying the painting will be a failure, worrying about wasting expensive materials, and good old fear of the blank page.
I don’t personally like the phrase ‘creative block’, but fear of the blank page is definitely real! As an artist and an art teacher I have learnt there are so many things that can hold people back from be creative. Having no ideas, having too many ideas, perfectionism and worrying the painting will be a failure, worrying about wasting expensive materials, and good old fear of the blank page. As a professional illustrator I’m used to painting a lot, but I recently took a break due to travelling and moving house, and I was shocked by how much my confidence had dropped in that time. If I feel nervous about doing a painting after a ten day break, I can only imagine how people feel if they haven’t painted or drawn for years. Here are my top tips for getting over that fear and getting creative again.
Start small
This usually works for me. If you haven’t painted in a long time and you’re feeling anxious the last thing you want to do is start on a huge canvas or an expensive piece of watercolour paper. Even starting a new sketchbook can be scary. Working in a small sketchbook, or on a small piece of paper is a good way to start without worrying about wasting materials or time. Don’t start a huge project, just start something simple you can finish in an afternoon. It doesn’t need to be perfect. It’s just the start.
Keep a list of ideas
I’m sure we all know that feeling, you’ve finally found the perfect time to sit down and do some painting and you can’t think of what to paint. Keep a private Pinterest board or a Instagram collection of images that inspire and write down things that you would like to paint in a notebook. That way it’s there to reference when you’re in the mood to paint.
Make yourself comfy
Again this is one always helps me. Make yourself comfy, make a cup of tea, get your desk arranged nicely, put on your favourite music or podcast in the background and start slowly.
Gather research and reference images
Sitting down and immediately starting to paint puts a lot of pressure on yourself. It’s so much easier when you’ve got a starting point. Try collecting some small objects and drawing from life, or look through photos you’ve recently taken, are there any elements that would translate well to a painting? When I’m out and about and I don’t have time to sketch something I see I often take a quick photo and then paint it later.
Try a workshop
If you’re really feeling lost the guidance of a workshop can really help. The tutor will be on hand to advise and encourage you, and attending a workshop is about giving your self permission to do nothing but learn and be creative for a couple of hours, which is really important. Shameless self promotion, I teach watercolour and gouache workshops regularly in London. Find out more here.
Try a drawing exercise
Sometimes you just need to loosen up and do a few exercises to get used to making marks on the paper. At the beginning of my life drawing classes at university my tutor used to make us draw with our eyes closed, draw with our left hand, draw with a continuous line and draw two minute poses. The point of these exercises is to encourage creativity and get rid of perfectionism. Don’t worry about the end result, just enjoy the experience of mark making.
Follow a tutorial
Following a tutorial is a great way of being creative without having to worry what you’re going to paint. You can find painting tutorials online and in books. Shameless self promotion yet again, my book is full of projects for all skill levels and is a great way of getting back into painting and building up your confidence.
Finding Inspiration
In this blog post I wanted to talk a little bit about inspiration. I personally define inspiration as feeling motivated to do something or create something. It's that feeling when you read a great book and immediately want to sketch the main character, or you go somewhere so beautiful that you can't stop taking photos, filming or sketching.
In this blog post I wanted to talk a little bit about inspiration. I personally define inspiration as feeling motivated to do something or create something. It's that feeling when you read a great book and immediately want to sketch the main character, or you go somewhere so beautiful that you can't stop taking photos, filming or sketching.
In interviews I often get asked how I stay inspired, which I've always found a really odd question as I'm inspired pretty much 100% of the time. There is never really a moment when I'm not planning new ideas or thinking about things I want to paint in my head. I actually dream about paint, it's a bit odd.
But I think for most people finding inspiration and staying inspired is a bit more of a challenge. I think for a lot of people there number one destination for inspiration is Instagram and Pinterest. I love Instagram and Pinterest, I think they are amazing places to share your work, build a community, find new customers and clients and to get a general idea of what's going on in the creative industry is. However I don't think they're good place to seek inspiration. What normally happens after a Instagram binge is that you end up getting slightly overwhelmed by image after beautiful image. The problem is there is no context to these images, you have no sense of how long they took to create, or even when they were created chronologically, and how many first drafts had to go into creating the final piece. You might have scrolled through two years work in 30 seconds. What I generally find happens is that seeing so much beautiful work by other people in a short space of time makes me doubt myself. It makes me feel that simultaneously my work should be more colourful yet more muted, more complex but more simple, basically less like me and more like everybody else that I admire. And what usually happens is that I don't feel motivated to create at all, I just get stuck in a cycle of endless scrolling. Not that I don't love seeing beautiful work on Instagram and discovering new illustrators, but if you're starting to doubt your own work it's time to put the phone down. Best case scenario and you feel a bit down and wonder why you bother, worst case scenario is is that people actually try to imitate what they are see on Instagram and end up copying the artists that they admire. My work has been copied many times by students and amateur painters. I understand why it happens and how easy it is to do. If you are spending a lot of time looking at the same few artists work it's natural that your work will start to look like their's. The best antidote to this is to seek inspiration from as many different sources as possible, preferably away from a computer screen.
So where do you find inspiration?
This will vary for everyone. What inspires me may not inspire you, and that's a good thing. Peoples unique and diverse sources of inspiration are what makes their work unique.
Museums and galleries
I always find walking round a museum with a sketchbook or visiting a beautiful exhibition really inspiring. There is something about seeing great works of art close up, seeing the texture of the paint and the individual brush strokes that makes me want to pick up a paintbrush soon as I get home.
Travel
I find travelling so inspiring, and when I travel I deliberately pick places that I know want to sketch or paint. I love going to the colourful cities like Seville or Marrakech or places with a strong history of folk art like Mexico or Peru.
People watching
People watching is such a great free source of inspiration. If you draw people in your work it's great to spend time observing real people, their body language what they wear et cetera. My favourite well-dressed old people and adorable children.
Old films and documentaries
I love the costumes and sets in old films. Anything with Audrey Hepburn oh Marilyn Monroe is a good start. I also love watching documentaries about inspiring creative women. Iris, and The Eye Has To Travel are two of my favourites.
Vintage shops and antiques fairs
If you like drawing objects then vintage shops and antiques shops are great places to find inspiration. I don't know why it is but I find old objects have so much more character and are just more drawable than new objects. I would rather draw a typewrite than a MacBook any day.
Colour combinations
Keep an eye out for beautiful, accidental colour combinations in every day life. An iPhone is a great way to record these little moments of colour inspiration that might otherwise be forgotten.
So basically every time you leave the house or switch on the TV the potential for inspiration is there! These are just a few of the places I find inspiration, hopefully this has encouraged you to try something you and seek out inspiration.