Collaboration with So Typical Me

As an illustrator, there is nothing more fun than seeing your work on actual physical products. I love how these journals featuring my colourful houses have turned out. I’ve collaborated So Typical Me on arrange of four planners, inspired by colourful southern European buildings, and guaranteed to bring a bit of sunshine to your desk! I really love seeing work go straight from my sketchbook onto a product and I’m so happy with how these have turned out. You can find out more about the collection here.

New Book - Keeping a Creative Sketchbook

I am so so excited to be able to share what I’ve been working on for the last two years! I have a brand-new book coming out in April and it’s called Keeping a Creative Sketchbook. It pretty much does what it says on the tin, and it’s all about keeping a sketchbook and how that can fuel your creativity. This book is all about using a sketchbook to find your style, loosen up, overcome fear of the blank page, experiment with colour and materials, and getting outside and drawing on location. The book is packed with practical exercises and ideas to get you working in your sketchbook. I also look back at my own journey with my sketchbook over the years and how influential it’s been to my own artistic journey. I also interviewed loads of fantastic artists and illustrators and talk to them about how working the sketchbook has been important to their work. 

This book is perfect for total beginners, who would like to start using a sketchbook, and more establish artists, who want to fall back in love with their sketchbook again! I really loved writing this book, and I hope you love reading it!

It is available to pre-order now and publishes on the 9th of April!

A Love Letter to my Garden

This piece in my sketchbook is an ode to my love of gardening! For over 10 years I lived in London in a series of flats with absolutely zero outdoor space, and yet a strong desire to grow things. I dabbled with growing things in pots on windowsills or in the front garden, but invariably things got blown over by the wind or stolen by passers-by, so I gave up and waited until I had a garden of my own. All that pent-up gardening energy means that I have thrown myself into looking after my garden with full force. Most evenings I can be found outside pottering around with a watering can and a pair of secateurs, deadheading and weeding, and just generally admiring.

My garden is pretty well established and some previous owner down the line has done some very thoughtful planting, which means every few weeks we are treated to a new surprise, with irises, hollyhocks and lilies popping up. I’m also full of plans for what I’d like to grow next year, I’d really like to try growing sweetpeas and zinnias. There’s always something to look forward to and something to do with the garden, I’m looking forward to picking tomatoes later in the summer, I’m excited about planting bulbs in the autumn, and i’m waiting with bated breath for my many dahlias to bloom. I could actually ramble about my garden for days, so I will stop now.

This piece was painted with gouache, coloured pencil and neocolor pastel in my Odd Orange sketchbook.

Art Retreat in Valencia

I’ve been back from my art retreat for just over a week and I’m still on a high from what an incredible experience it was, still busily working in my sketchbook recording my memories and making the most of all the inspiration. It’s hard to even know where to start. At the end of April I taught a week long art retreat with UpTrek just outside Valencia Spain with a wonderful group of women and we all had a magical time. During the week we focused on sketching and painting on location, using mixed media, developing a sketchbook practice, understanding colour theory, and capturing people. The week included day trips where we sketched on location in Valencia old town in the City of Arts and Sciences, as well as lots of time spent at the venue where I taught masterclasses and everybody had a chance to work in their sketchbooks and ask for help and advice.

For me as a teacher it was truly an honour to see my student’s work transformed in that week. I’ve done a lot of teaching before, but usually just for a couple of hours, maximum one day. It was really incredible to see students develop as artists, and for me as a teacher to be able to respond to them in real time and tailor the retreat to make sure they got the most out of it that they possibly could. I could see that for many of my students perfectionism and fear of making a mistake was holding them back. Some of my students were spending a really long time sketching and not painting, and when they did paint they were scared to add bold tonal contrast and texture. I took everybody to the Umbracle, a botanical garden in The City Arts and Sciences, and challenged everybody to do a 10 minute painting of a tree. Everybody picked a palm tree or an orange tree, gathered their materials, and then they add 10 minutes to paint it. And that was when the magic happened. People who had previously spent hours agonising over a painting, suddenly painted something beautiful in just 10 minutes, sometimes less. It’s amazing how the time restraint made people bolder and encouraged them to trust their own instincts. Everybody was amazed by what they had created! We did this exercise a few times and it was such a big breakthrough moment for people.

I also loved sharing my passion for painting on location. It was something that most people hadn’t done before, but sitting together painting, chatting, sharing materials and sipping on an orange juice or a Horchata and just felt so natural and people produced beautiful work imbued with memory and atmosphere. Valencia itself is such an incredibly beautiful city and was the perfect place to paint and gather inspiration.

For me the most wonderful thing about this trip, on top of seeing everyone’s artistic development, was how much everybody bonded and what a lovely group it was. We all had so much fun! Every evening at 7 we all gathered to share our sketchbooks over a glass of cava and a canapé. It was a real highlight for everyone. A favourite moment was going to see a flamenco show in Valencia, and our wonderful host Laura teaching us all some flamenco moves before we went. We had such a wonderful time! On the last night the venue hosts surprised me with a little book which they had asked all of my students to write a message in. It was so lovely it made me cry! And a few of my students got a little bit teary eyed as well.
A lot of people have been asking me if I will teach another retreat, and the answer is I would love to! I’m already making plans for next year, so watch this space, and sign up to my newsletter to be the first to hear about any new retreats.

My beautiful students looking very proud of their final pieces.

2022 Round up

I’ve done a little recap of the year because I wanted to take a moment to look back on the projects I’ve completed. I often find that when I’m working on a project I can’t share it because it’s top-secret, and then by the time the work comes out I’m onto something else, so often I forget to even share the work that I’ve done! So it’s nice to look back and reflect on a year full of book covers, greetings cards, editorial illustration, books and online courses. I have decided to divide this round up into seasons, becuaes I honestly cannot remember what I did last year and month by month!

Spring

The biggest thing that happened in spring was my third art book, Watercolour Life, came out! I had been working on this book throughout lockdown, my pregnancy and those early newborn days, so to see it out in the world but like a big achievement! It’s had a really lovely response from readers and reviewers, with some lovely magazine features.  In spring we also took our first family holiday abroad to Mallorca. It was our first time travelling post pandemic and post baby, and we had a lovely time. I even managed to do some painting. Spring also saw the launch of a collection of illustrated floral brownies with The Blushing Cook. Spring also sought the publication of Toujours La France, the third book by Janine Marsh about her life in France, and the third book that I have illustrated the cover for.

Summer

Summer was an exciting season for me. The Further Adventures of Miss Petitfour was published, a children’s book by Anne Michaels that I had illustrated. I illustrated the first Miss Petitfour book, so it was wonderful to be able to return to the character and spend some more time in her world. Like Watercolour Life, I worked on this book whilst pregnant and looking after a small baby, so it felt like a real achievement. Summer also saw the launch of my Domestika course! This was filmed in the spring and launched a few months later, and I’ve been completely overwhelmed by the response. Six months I’ve had nearly 7000 students and 99% positive reviews. I even got highlighted by Domestika as the most successful new course of the quarter. For me the most awarding thing has been seeing my students at work and to be able to interact with them on the phone and give them feedback and advice. I also worked in another book cover, for a YA novel called A Calamity of Mannerings, which will be out next year. I also worked on some greetings cards with a big US retailer that will be available next year. 

Autumn

In early autumn we visited some friends in Norway, which was a really inspiring trip and I managed to do some painting and drawing in my sketchbook. At this point behind-the-scenes I was busy working on a new book, which will be out in 2024! I can’t share too much about it now, but I am really excited and it’s something slightly different for me. Autumn also saw the launch of my collaboration with Wimperis Embroidery. We created a beautiful embroidery kits that combined watercolour and embroidery with an autumnal theme. I also got some samples of greetings cards that I worked on earlier in the year, which are available in Trader Joes in the US.

Winter

In winter I was still busily working on my new book behind-the-scenes, and also working on some illustrated maps for another book that is coming out in 2023. I also developed and designed my very own gouache sketchbook, something I’ve been wanting to do for a long time. For awhile I’ve been searching for the perfect sketchbook, so I decided to design one myself and I love using them! You can purchase one in my online shop. At this time I was also very busy behind-the-scenes preparing for my upcoming house move. We moved out of our London flat and into our new house just before Christmas, meaning I’m starting a new year in a new house in a brand new studio. 

So what is to come next year? I’m almost finishing writing a new book, however that won’t be out until 2024. I am very excited about teaching my first art retreat in Spain next year. (There are still a few places available, by the way!) I’m really hoping that this year I will have more time to focus on my sketchbook and coming up with new ideas. My big goal is to work on a children’s book! It’s been a dream for such a long time and now feels like the right time. 

The Perfect Gouache Sketchbook

If you follow my work on Instagram, or read this blog you probably know that I love working in a sketchbook! However for awhile I’ve been searching for the perfect gouache sketchbook, and when I couldn’t find one I decided to design my own!

A5 in size with beautiful heavyweight white paper with a subtle texture perfect for gouache. The pages are thick enough that it holds paint well without it bleeding through to the other side meaning you can work on both sides of the paper. The paper is bright white with a subtle texture and the sketchbook is soft back and saddlestitched, which makes it really easy to scan and reproduce your work. There are two specially designed covers, both of which are fun, colourful and cute. I didn’t want the artwork on the cover to detract from the artist’s own artwork inside the sketchbook, but at the same time I wanted the sketchbooks to be really cute and to be instantly recognisable as an Emma Block sketchbook, hopefully I’ve found that balance! I’m so so excited to see what people create with them!

Painting Retreat in Spain

I am very very excited to invite you to join me on a week long luxury painting retreat in Valencia, Spain! If you’ve been following me for awhile you know how much I love painting, travel and painting on location, so hosting this retreat is an absolute dream for me.

We will be focusing on painting and drawing in our sketchbooks whilst in Spain, using a mixed media approach with watercolour, gouache, coloured pencils and pastels.

The retreat will include lots of drawing on location in Valencia old town, on the beach, and at the beautiful villa, as well as masterclasses from me covering everything from drawing people to colour theory. We will be staying at a stunning private villa with a pool and spa, just five minutes from the beach, with gourmet chef made meals and amazing Spanish wine. The whole week is going to such a treat and real feast for the senses. This retreat is perfect for all skill levels, whether you’re a total beginner or even a professional looking to relax and reignite their creativity. The retreat will run from the 23rd to 30th of April 2023.

There is a risk free COVID-19 refund policy. See more details here. It is limited to 15 guests, you can find more details about the trip and accommodation here. This is more than just a painting workshop, it is a unique week-long experience and a chance to travel, make new friends and incredible memories. Find out more details and reserve your space here. If you have any questions feel free to directly contact Uptrek.

I am so excited about this and I hope some you can join me!

Exploring Neocolor Pastels

A couple of weeks ago I bought a set of Neocolor wax pastels from Caran d'Ache after seeing lots of people use them on Instagram. I really enjoyed the consistency and feel of them, but the selection of colours definitely wasn’t doing it for me. I always find a rainbow selection of pencils or pastels really uninspiring and usually try to buy colours individually. There’s something about that standard rainbow selection that just doesn’t work for me, every colour is really bright, really intense and they’re all fighting with each other. To me a good colour palette should have subtleties, colours that are bright and muted, light and dark, and warm and cool.

So I was very excited to try the Neocolor collaboration with Beya Rebai. The collaboration consists of two sets of specially chosen Neocolor pastels, one in warm tones and one in cool tones. I bought both and they are so lovely to use. So many beautiful subtle colours and endless colour palettes that can be created by mixing and matching both sets. Very cleverly the cool set includes a warm pink and red to provide contrast and the warm set has a zesty yellow and a deep grey to provide some balance. I did a little swatch of each colour first, then played around putting some different colour pallets together. I then decided to do a couple of little sketches testing out the capabilities. I’m so pleased with how these poppies turned out, they feel so vibrant and free, you can just see them blowing in the wind. I’m really excited to see how I can combine these with watercolour and gouache, incorporating them into my style, and also adding a freshness to my sketchbook.

Slow Travel with a Toddler

I’ve just got back from a holiday to Mallorca and it was truly blissful. It was our first holiday since having a baby and we brought my parents along as reinforcements. I kept my expectations low as I’d heard ‘it’s not a holiday, it’s parenting in a different location’ a million times, but to be honest it was lovely. I think the key was taking it very slowly (and having a 4 to 1 adult to toddler ratio). We didn’t sight-see, we didn’t go to markets or galleries, we didn’t do day-trips and we only ate out three times. We just relaxed and took things at Herbie’s pace and found that with his naps and early bed time there was actually a lot of time to just chill out and read. I even had time to set up a still life of some lemons I picked in the garden and paint them. We even embraced the cloudy days, painting the moody skies and wrapping up warm and going to the beach regardless. Here’s to taking things slowly. You can read my top tips for slow travel here, buy a copy of my guided journal Slow Travel here and see more of Mallorca in my post from 2018.

Getting Better at Drawing People

People often ask me how to get better at drawing people. The way to get better at drawing anything really is to draw from life and to practice. The best way to understand anatomy and facial structure is to go to a life drawing lesson, and I believe their are online life drawing classes. For me the best way to get better at drawing people in a more natural way, understanding how to show movement and body language, is people watching. Obviously at the moment location drawing trips can be tricky, so these are the two ways I’ve been drawing people in lockdown.

Number one, look out of your window. I live on busy road, people walk past my window all the time walking their dogs, going to the park, carrying their shopping. I try to take a mental picture of their outfit and posture and do a very quick sketch as they walk past.

Another great tool for drawing people going about their everyday lives is Google Maps! I’ve seen a lot of artists use Google Maps during lockdown for painting buildings and landscapes, but it’s also great for people. You can see enough of people walking down the street to get a sense of their character, how they dress, how they walk, but you don’t get caught up in tiny details as you can’t really see anyone’s face. I love visiting different areas I know on Google Maps and seeing how differently people behave in different spaced, people walking in a relaxed way by the seaside or people powerwalking or slumped over in the city. I’ve noticed how often couples and friends dress alike, and how they usually walk perfectly in step with each other.

The top row of the sketches were all created from google images, and the bottom row of people spotted from my window. I find these pages full of little people really useful and often adapt them for projects when I need someone walking or standing in a particular way.

Keeping a Sketchbook

Sketches from Paris

When I was at university keeping a sketchbook was of utmost importance. We had a sketchbook for each project we worked on and a personal sketchbook. We spent a huge amount of time drawing from life on location, in London and on class trips around the world. When I asked my tutors if I could take a week off school to go to Paris on my own and sketch they said yes. At the time I didn’t quite get the true importance of regular sketching, and sketches seemed like a means to an end, a way of progressing through a project. But when you sketch regularly you build up a personal reference library for yourself, that you can use it for years to come. When I’m starting a project and need reference images or inspiration the first place I go is to my sketchbooks. Whether I need an image of some roof tops, some spring flowers, or a couple walking, I know that I will have a sketch of that somewhere. Of course I could find reference photos online for all of those things, but it’s just so lovely to be able to use my own sketches as reference, to turn the pages of my sketchbook and have all the memories of that time and that project come flooding back.

Sketches from Peru

I fell out of love with sketchbooks for a few years, I think because I’ve always struggled with pencil sketches. I think in terms of colour, texture and shape, not line, so pencil was always a bit limiting for me. When I realised I could just paint straight into my sketchbooks instead of worrying about pencils it reinvigorated my sketchbook practice.

A sketchbook should be whatever you need it to be, it can be full of pencil sketches, notes, doodles, paint swatches, paintings both finished and half completed. Sketchbook is a place to record experiences and ideas.

Sketches from Mallorca

Sketches from Tuscany

Sketchbooks I like:

For watercolours – Hanhemule Watercolour Book

For gouache: Moleksine Art

For pencil sketches - Moleksine Cahier

Fabriano Bouquet Collection of 7

Finding your Style

I often get questions from people about finding their style, and yesterday I had a really great question. Somebody asked me how she could learn from me, but not just make replicas of what I teach and really make the drawings and paintings her own. I thought this was a great question, so I thought I would share my answer here in case it’s useful to anybody else.

Just for fun I have included some examples of my work from as early as 2006 up to last year. As you can see my style has changed hugely over this time as I’ve experimented with materials and my drawing skills have improved.

Personal work completed whilst I was at sixth form College

It is definitely tricky when you’re starting out for your work not to look too much like the illustrators that you admire.

Personal work completed whilst I was at sixth form college

My first piece of advice for finding own style is to draw from life. Set up a still life and sketch it, paint a vase of flowers, sketch your pet, try a self portrait. Drawing from life is really important to develop your drawing skills and to help you find your style.

Personal work completed while I was at university

The other thing is it’s important not to just be taking inspiration from contemporary illustrators. Create work inspired by your favourite films, or the books that you love. Look at illustration throughout history. Look at fine art, set design, photography. Try to find really broad sources of inspiration that represent your interests, and that will help you find your style.

Work from my final year of university

I hope that was helpful! Have you found your style, or are you still finding it?

Recent work from my sketchbook

Fear of the Blank Page

I don’t personally like the phrase ‘creative block’, but fear of the blank page is definitely real! As an artist and an art teacher I have learnt there are so many things that can hold people back from be creative. Having no ideas, having too many ideas, perfectionism and worrying the painting will be a failure, worrying about wasting expensive materials, and good old fear of the blank page. As a professional illustrator I’m used to painting a lot, but I recently took a break due to travelling and moving house, and I was shocked by how much my confidence had dropped in that time. If I feel nervous about doing a painting after a ten day break, I can only imagine how people feel if they haven’t painted or drawn for years. Here are my top tips for getting over that fear and getting creative again.

Start small

This usually works for me. If you haven’t painted in a long time and you’re feeling anxious the last thing you want to do is start on a huge canvas or an expensive piece of watercolour paper. Even starting a new sketchbook can be scary. Working in a small sketchbook, or on a small piece of paper is a good way to start without worrying about wasting materials or time. Don’t start a huge project, just start something simple you can finish in an afternoon. It doesn’t need to be perfect. It’s just the start.

Keep a list of ideas

I’m sure we all know that feeling, you’ve finally found the perfect time to sit down and do some painting and you can’t think of what to paint. Keep a private Pinterest board or a Instagram collection of images that inspire and write down things that you would like to paint in a notebook. That way it’s there to reference when you’re in the mood to paint.

Make yourself comfy

Again this is one always helps me. Make yourself comfy, make a cup of tea, get your desk arranged nicely, put on your favourite music or podcast in the background and start slowly.

Gather research and reference images

Sitting down and immediately starting to paint puts a lot of pressure on yourself. It’s so much easier when you’ve got a starting point. Try collecting some small objects and drawing from life, or look through photos you’ve recently taken, are there any elements that would translate well to a painting? When I’m out and about and I don’t have time to sketch something I see I often take a quick photo and then paint it later.

Try a workshop

If you’re really feeling lost the guidance of a workshop can really help. The tutor will be on hand to advise and encourage you, and attending a workshop is about giving your self permission to do nothing but learn and be creative for a couple of hours, which is really important. Shameless self promotion, I teach watercolour and gouache workshops regularly in London. Find out more here.

Try a drawing exercise

Sometimes you just need to loosen up and do a few exercises to get used to making marks on the paper. At the beginning of my life drawing classes at university my tutor used to make us draw with our eyes closed, draw with our left hand, draw with a continuous line and draw two minute poses. The point of these exercises is to encourage creativity and get rid of perfectionism. Don’t worry about the end result, just enjoy the experience of mark making.

Follow a tutorial

Following a tutorial is a great way of being creative without having to worry what you’re going to paint. You can find painting tutorials online and in books. Shameless self promotion yet again, my book is full of projects for all skill levels and is a great way of getting back into painting and building up your confidence.

How to Sketch While You Travel

Is there anything more relaxing than sitting painting in the sunshine whilst on holiday? However it’s so easy to pack your paints and sketchbook in your suitcase and then leave them there all week! I’m definitely guilty of taking my art materials on holiday, but never actually using them. When you are on holiday and you’ve got a limited amount of time to do and see things it can be difficult to make time to sketch. Here are my top tips for making it happen.

Preparation

Paint
Think carefully about the materials you are bringing. You want to choose things that are compact and lightweight. At home I use a Schmincke Horadam Watercolour Set that comes in a metal tin, however this is very heavy, so on holiday I take this Winsor & Newton Watercolour Set which comes in a light plastic palette with lots of mixing space. It's the perfect paint palette for travelling with.

This was my first time travelling with gouache. I had just bought a set of Holbein Artists Gouache, which come in tiny 5 mL tubes. These teeny tiny tubes are perfect for travelling as they take up no space at all.

Brushes
Water brushes, brushes that contain water in the handle, are ideal for painting on the go. I also like to bring small travel brushes with me. The set of Winsor and Newton watercolours I linked to above comes with a size 5 brush with a short handle so it fits perfectly inside the palette. You can get travel watercolour brushes with detachable or retractable handles that keep the bristles intact whilst travelling.

Sketchbook
I might be completely biased, but I love my sketchbooks from Papier. Yes, they might have my illustrations on the front, but the paper inside is great for pencil sketching, gouache and watercolours. The sketchbook is paperback and staple bound so it opens up completely flat and is very light to pack. The pages are thick enough that you can paint on both side.

Pencils
If you are packing traditional pencils make sure you bring a pencil sharpener, and if you are taking a mechanical pencil make sure you bring some spare leads. I bought my Blackwing pencil with me which has a great rubber on the end.

Pencil case
I used a make up bag as a giant pencil case which I could fit my sketchbook, paint set, brushes and pencils into. Having everything all in one bag made it easy to keep everything together.

Choose your Colour Palette
It’s a good idea to pick a colour palette before you go as it will allow you to limit the amount of art supplies you need to bring. Some people might say that you never know what will inspire you, and therefore what colours you will need, but realistically knowing that I was going somewhere with stone houses with green shutters and lots of orange groves that I would need a good green, orange and stone colour.  Think about the place that you are going and the colours you are most likely to use. For example if I was going to Japan during cherry blossom season I would want to take some great pinks with me. If you are bringing watercolours you will probably just bring the whole set, this applies more to tubes of gouache, colour pencils or felt tip pens. On my holiday I brought five tubes of gouache - white, raw umber, permanent yellow, permanent green and flame red. I also took a set of watercolours.

Top tip -

If you are short of space you can just take a set of watercolours and a tube of white gouache. You can mix the pigment from the watercolours with the white on the palette to make gouache of different colours. 

Make it Happen
 

Make Time
Doing a sketch or painting takes a bit of time, it’s not like taking a quick photo. Plan times when you are likely to be able to do some painting and take your sketchbook out with you. I found that waiting for my food to arrive in a restaurant was a great time to sketch, as we were always eating outside in picturesque locations.

Compromise
One of the tricky parts of painting on holiday is compromising the people you are travelling with. Explain to your travel partner that you want to do some painting and suggest that they have a go sketching as well, or bring a book to read. On holiday I did lots of painting and my husband read. 

Edit
Don’t feel like you have to paint everything you see in front of you. If you are inspired by one small detail of what you can see, like a particular person, a beautiful tree, or a cute dog it is fine to just paint that one thing. It’s also fine if you don’t finish your painting or sketch in one sitting. Take photos of the scene and use them, plus your memory, to finish it later.

Save it for Later
If there is something you want to paint and you don’t have time grab a sneaky photo and paint it later. I always like to do some holiday paintings in my sketchbook when I get home whilst it is all still fresh in my mind.

Enjoy the Moment
Don’t worry about creating a masterpiece or a beautiful sketchbook. Painting on holiday is about the experience, not just the end result. Painting while travelling is a great way to force yourself to slow down and really take in your surroundings. Enjoy the moment and don’t worry too much about the outcome.

I hope those tips have inspired you to get painting on your next holiday. Let me know if you have any questions. Here are some great blog posts about sketching while traveling from my friends Jackie and Viktorija.

More from my trip to Mallorca coming up soon!

Finding Inspiration

In this blog post I wanted to talk a little bit about inspiration. I personally define inspiration as feeling motivated to do something or create something. It's that feeling when you read a great book and immediately want to sketch the main character, or you go somewhere so beautiful that you can't stop taking photos, filming or sketching.
In interviews I often get asked how I stay inspired, which I've always found a really odd question as I'm inspired pretty much 100% of the time. There is never really a moment when I'm not planning new ideas or thinking about things I want to paint in my head. I actually dream about paint, it's a bit odd.

But I think for most people finding inspiration and staying inspired is a bit more of a challenge. I think for a lot of people there number one destination for inspiration is Instagram and Pinterest. I love Instagram and Pinterest, I think they are amazing places to share your work, build a community, find new customers and clients and to get a general idea of what's going on in the creative industry is. However I don't think they're good place to seek inspiration. What normally happens after a Instagram binge is that you end up getting slightly overwhelmed by image after beautiful image. The problem is there is no context to these images, you have no sense of how long they took to create, or even when they were created chronologically, and how many first drafts had to go into creating the final piece. You might have scrolled through two years work in 30 seconds. What I generally find happens is that seeing so much beautiful work by other people in a short space of time makes me doubt myself. It makes me feel that simultaneously my work should be more colourful yet more muted, more complex but more simple, basically less like me and more like everybody else that I admire. And what usually happens is that I don't feel motivated to create at all, I just get stuck in a cycle of endless scrolling. Not that I don't love seeing beautiful work on Instagram and discovering new illustrators, but if you're starting to doubt your own work it's time to put the phone down. Best case scenario and you feel a bit down and wonder why you bother, worst case scenario is is that people actually try to imitate what they are see on Instagram and end up copying the artists that they admire. My work has been copied many times by students and amateur painters. I understand why it happens and how easy it is to do. If you are spending a lot of time looking at the same few artists work it's natural that your work will start to look like their's. The best antidote to this is to seek inspiration from as many different sources as possible, preferably away from a computer screen. 

So where do you find inspiration? 
This will vary for everyone. What inspires me may not inspire you, and that's a good thing. Peoples unique and diverse sources of inspiration are what makes their work unique. 
 

Museums and galleries
I always find walking round a museum with a sketchbook or visiting a beautiful exhibition really inspiring. There is something about seeing great works of art close up, seeing the texture of the paint and the individual brush strokes that makes me want to pick up a paintbrush soon as I get home.

Travel
I find travelling so inspiring, and when I travel I deliberately pick places that I know want to sketch or paint. I love going to the colourful cities like Seville or Marrakech or places with a strong history of folk art like Mexico or Peru.

People watching
People watching is such a great free source of inspiration. If you draw people in your work it's great to spend time observing real people, their body language what they wear et cetera. My favourite well-dressed old people and adorable children.

Old films and documentaries
I love the costumes and sets in old films. Anything with Audrey Hepburn oh Marilyn Monroe is a good start. I also love watching documentaries about inspiring creative women. Iris, and The Eye Has To Travel are two of my favourites. 

Vintage shops and antiques fairs
If you like drawing objects then vintage shops and antiques shops are great places to find inspiration. I don't know why it is but I find old objects have so much more character and are just more drawable than new objects. I would rather draw a typewrite than a MacBook any day.

Colour combinations
Keep an eye out for beautiful, accidental colour combinations in every day life. An iPhone is a great way to record these little moments of colour inspiration that might otherwise be forgotten. 

So basically every time you leave the house or switch on the TV the potential for inspiration is there! These are just a few of the places I find inspiration, hopefully this has encouraged you to try something you and seek out inspiration.

A Little Guide to Seville

I’ve always had a fascination with Seville, probably because so many operas are set there. It has always seemed like the most romantic and mysterious of Spanish cities. So when we where looking for a city break that would provide a bit of winter sun and allow my husband to practice his Spanish, Seville was the obvious choice. October is a great time to go to Seville as the weather is warm (high 20s) but not oppressively hot.
There are so many things to do in Seville and it is such a charming, walkable city that it is the perfect place for a city break. We spent four days in Seville, and though we would have loved to stay longer we definitely got a feel for the city. Here are a few of my favourite things to do in Seville, though really the best thing to do is just walk and walk and explore the city on foot (with lots of stops for tapas).

The city’s most famous attraction, the Alcazar, is a must see. The Alcazar is a royal palace original developed by Moorish kings. It’s famous for it’s stunning architecture, tile work and gardens. We bought our tickets (€9.50) on the day and queued for about 20 minutes, but you can buy them in advance online. Once you get through the ticket office it’s easy to shake off the hoards of tour groups and explore the expansive gardens and rooms on your own. It is such a calm and peaceful place that you almost forget that the city outside exists.

The Plaza España is a collection of governmental buildings on the edge of the
Maria Luisa park. It doesn’t sound worth a visit but it really is. The buildings are beautiful, set in a semi circle with miniature bridges and waterways that you can row through. It is a testament to stunning Sevillian craftsmanship, every region of Spain having its own elaborately decorated alcove. It’s also completely free to visit. Make sure you also explore the park, which is beautiful. 

The city’s newest attraction, the Parasol Metropol, is somewhat controversial and not everyone is a fan. I think it’s definitely worth a visit as it only  costs €3 and gives you stunning views of Seville. Your ticket also entitles you to a free drink, I highly recommend enjoying an ice cold glass of beer at the top whilst taking in the view.

You can’t go to Seville without seeing some flamenco. There are shows in the city centre that cater to tourists where the tickets are quite expensive and then there are shows in the outskirts that cater to locals and aficionados, starting at midnight and serving only hard alcohol. La Carboneria is a happy middle ground. It is located in the city centre, it’s free to get in and shows run from 9:30 – 12:00. The shows are fantastic, and need to be seen to understand the passion and the energy. 

It’s actually quite hard to have a bad meal in Seville, pretty much everywhere is good. We mostly ordered tapas as its fun and cheap. Ordering tapas means you can try lots of different dishes and even several different restaurants in one night. Portions are generous and we usually ordered four tapas between two. Here are a few places I’d recommend: El Rinconcillo – the oldest tapas bar in Seville – go for atmosphere, decor and good tapas, La Huerta 9 – lovely tapas eaten under the orange trees, Confiteria La Campana – classic coffee and patisserie, staffed by adorable old men in stripy waistcoats and El Rincon el Rosita – the friendliest restaurant in Seville and delicious food.

We flew with Ryanair and stayed in an Airbnb apartment. We stayed in the Macarena neighbourhood which I would highly recommend. It’s about 20 minutes walk from the centre and is a really charming neighbourhood. Get £25 off your first Airbnb stay here.

What I wore:
Checked dress – People Tree, shorts – vintage, straw boater – vintage, white blouse – charity shop, denim jacket – H&M, sunglasses – Anthropologie, watch – Daniel Wellington